For
this session, Miranda and I headed back to the first place she'd
modeled with me, Chebucto Head. The day was lovely and warm, with a rich
scattering of clouds in the sky - perfect for infrared photography. Infrared cameras have such a flair for the dramatic, as evidenced in this image of Miranda lying below a perfect sky.
Digital infrared original |
I
normally avoid working in direct sunlight, but when there's no choice,
it can sometimes be worked into a successful image; Miranda's figure in
this pose is accentuated by the light, as opposed to struggling against
it, which makes the final image practically sing with grace.
There is an old-world feeling to this image, perhaps coming from the beautiful taper to Miranda‘s waist. There are times when infrared images are dramatic and breath-taking, but in this case, the result is more subtle, calling attention to Miranda’s form, as opposed to the landscape around her.
There is an old-world feeling to this image, perhaps coming from the beautiful taper to Miranda‘s waist. There are times when infrared images are dramatic and breath-taking, but in this case, the result is more subtle, calling attention to Miranda’s form, as opposed to the landscape around her.
Digital infrared original
|
While
it took me almost a decade to come to working with wide-angle lenses,
since 1997, they have been a major component of my work, both with the
Nude, and architecture. In this image, the parallel between Miranda‘s
arm and the landscape behind her is only due to using a wide-angle lens -
with a longer lens, the correlation between the two would have been
lost.
Overall, this was a really enjoyable session - the light was less than ideal, but the beautiful sky, combined with careful posing lead to some really pleasing photographs.
Overall, this was a really enjoyable session - the light was less than ideal, but the beautiful sky, combined with careful posing lead to some really pleasing photographs.
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