Summer Light Field Trip #3 (Middle Point Cove, Nova Scotia)

Digital infrared original

One of my favorite things about working with infrared light is how it renders water - in this case, to the unaided eye, this water pool had little presence in the scene, but knowing how IR light is absorbed by water, I knew it would be quite different when seen though the infrared modified camera!

Digital original

As the sun set, I made my way out to the western most point of the cove so I could work with the breaking waves in the evening light.

Digital original, 2 image stitch

This was my last composition of the field trip, made in dwindling twilight. The delicate colours in the rocks are reflected in the reflection and sky, making the image come together in a very pleasing way.

Hailey in a River (Ingramport River, Nova Scotia)

Digital original, 8 image mean blend

When Hailey and I first worked together, her primary interest was in modeling in water, so when we planned a second solo session, a river was an obvious choice. I've worked in this particular river since 1996, but given the nature of water, it is different every time I visit it!

Digital original

It was a real pleasure to work with Hailey; a passionate artist, she has a strong body sense, and really enjoys modeling, which shows in the image. In contrast to much of my previous images of the Nude in water, for most of this session I worked with mean blends (blending multiple images of water motion) than extremely long exposures to generate the water motion. This has multiple advantages, the best of which is shorter overall exposures, which makes it easier for the model to hold a pose.

Digital original

 

Hailey & Ingrid on an Island (Shannon Island, Nova Scotia)

This session was several weeks in the planning, and while it deviated from the original idea (heading to a different island), it provided a fabulous opportunity to work with two models in a new, isolated location. After a short boat-ride (thanks to Hailey's connections), the two models and I were dropped off onto Shannon Island, and left to our own devices.

Digital infrared original

The first set of images were made in a drove of dead trees, which had fallen to the ground and turned silver-white. Hailey enthusiastically wormed her way into the branches of the largest tree, and for several minutes, we explored the possibilities. This inspiring and engaging set of images came to abrupt stop when I miss-stepped and fell backwards...no cameras were hurt, but several light cuts and lacerations on my arm and leg made us decide to leave the site, and head to more accessible/level parts of the island.

Digital infrared original

As the session progressed, we found more and more spaces to work with. In an attempt to get away from the harsh sunlight, I asked Ingrid if she'd pose in a small water pool on the shade side of a cliff - and minutes later the above image was born.

Digital infrared original

Towards the end of the session, before we headed back to meet the boat, Hailey and I made some images of her by a small water pool. The light was delicate, and the infrared camera gave a lovely luminosity to Hailey's skin. A great high point to end upon, I look forward to returning to Shannon Island again, and seeing what else can be created there!

Hailey & Ingrid Killing Time (Glacial Barrens, Nova Scotia)

Digital infrared original

Hailey has arranged for transportation to an off-shore Island for her, Ingrid and myself, but at the last minute, the schedule was bumped back, so the three of us found ourselves with some time to kill. Not wanting to let light go to waste, we headed out to the glacial barrens near Prospect, and proceeded to make some images on the rocks and foliage that abound there.

Digital infrared original

With two models available, most of the session was spent with one woman finding a pose, and then the other working out how to fit into the scene - the usual approach I use is to have the second model either mirror or contrast the first; the first two images show more of the later, with the additional model (Ingrid in the first example, and Hailey in the second) choosing a post to reinforce the first.

Digital infrared original

 

Photo 101 Field Trip (Halifax, Nova Scotia)

Digital original

Typically, Photo 101 field trips involve quite a lot of walking about, booking for different subject or points of view, but for this particular field trip (partially because of the weather), the students and I remained focus on a single location - the courtyard of the Art Gallery of Nova Scotia. While the students experimented with lens selection and aperture, I made a classic elevation view of the old Post Office building, which holds a good portion of the gallery.

Digital original

The vast majority of my time between working with students was spent photographing Origins, a large sculpture by John Greer. I really enjoyed the abstract darkness of the work, and found composition after composition that made the most of the subtle surface of the sculpture.

Digital original

After I finished exploring the sculpture, I turned my eye to the old post office, and switched to my longest lens (300mm f/4) to make some details of the modern restoration carving that is so much a part of the old building to today.

Hailey & Skulls in the studio (Halifax, Nova Scotia)

Digital infrared original

My work with skulls and the Nude dates back to images made with Victoria in Alberta in 1999. I love combing the two elements into singular compositions, especially in a studio, where the lighting can be tailored to the subject, and the focus can be placed upon the simple forms of the body and bone.

Digital infrared original

This session was inspired by the collection of bones at Hailey's house; while I have worked with caribou, horse, sheep and goat skulls before, this was my first chance to work with wolf (the first image) and Musk-ox skull, complete with horns. After some experimentation, I settled on the skull mirroring Hailey's back and legs as the best way to blend the two forms in one composition.

Digital infrared original

 

Carol, Hailey & Ingrid model together (McNab's Island, Nova Scotia)

Digital infrared original, 2 image stitch

One of the greatest advantages of working with models who know each other is the opportunity to work with multiple models in the same place, and often in the same image. For this session, transportation to McNab's island was provided by Trav (who last modeled for me in 2002), which was a gift in itself, as the opportunity to work uninterrupted for extended periods is a gift unto itself.

Digital infrared original

The majority of the session was spent working with the remains of an old wharf, as the tide came in. Alternating between working with a single or multiple models, I made the most of the beautiful soft light provided by the overcast afternoon. As Carol, Hailey and Ingrid had all worked together before, it was quite easy to realize the potential of the spaces, and make some really pleasing images.

Digital infrared original

As the afternoon progressed, the time came in further and further, and eventually swallowed up the remains of the wharf. As we had some time left, we headed further up onto the stone beach, and proceeded to make a set of compositions working with a large piece of driftwood - as before, I began with a single model, and then added the second, and third to complete the exploration.

Digital infrared original

The overarching theme of this session was freedom; working on the island gave us the freedom to work without concern about interruption, and having three comfortable, competent and enthusiastic models along provided me the freedom to work constantly, and frequently incorporate two, and even three models over the session. A true embarrassment of riches.

Low Light & Night Field Trip #2 (Peggy's Cove, Nova Scotia)

Digital original

On the annual Night & Low Light Photography field trip to Peggy's Cove, the students and I were graced with some lovely low cloud behind the lighthouse, providing some depth to the sky.

Carol, Hailey & Ingrid by the Ocean (Prospect, Nova Scotia)

Digital infrared original

After the short and chilly first session for Hailey a month earlier, I was determined to facilitate a more typical (and warmer) session to really introduce her to what I do. After a couple of false starts blocked by poor weather or changing plans, things came together, and the same three models (Carol, Hailey and Ingrid) joined me at the coast for a lovely, warm evening of making images.

Digital infrared original

The evening light, while pleasant, was brutally hash, which made posing in it challenging; in the end, many of the compositions of the early part of the session were back-lit, setting the models against the light and the sky, and taking advantage of the higher shadow detail provided by the infrared camera.

Digital infrared original

Though we worked for two full hours, the most magical portion of the session was a feverous fifteen minutes working with a lovely rock formation and pool I came across during the second half of the session. The near perfect black circle in the pale granite rock was incredibly striking, and I immediately knew I needed to make an image of it - with a model.

Digital infrared original, 3 frame blend

The final images of the session were made on a lovely set of water-smoothed rocks as the sun was moving towards the horizon. As the stones moved directly away from the camera, I asked each model to find a pose within the setting, planning to composite the final image together with the best of each model's poses. In the end, the poses had too many conflicts (bodies blocking other bodies) so the best outcome was of two Ingrid's and a Hailey, posing moments apart, and only meter's away