Digital original, 2 frame stitch |
October 14, 2019
Fall Colours Field Trip (Ingramport, Nova Scotia)
October 06, 2019
Fall Colours Field Trip (Shubie Park, Nova Scotia)
September 26, 2019
A First & Final Session (South Shore, Nova Scotia)
Digital infrared original |
September 23, 2019
A Final Session in the Forest (Halifax, Nova Scotia)
Digital infrared original |
September 16, 2019
Ocean Sunset with Hailey (South Shore, Nova Scotia)
Digital infrared original |
Digital infrared original |
Digital original, 4 image exposure blend |
September 03, 2019
Hailey and Ingrid at the Coast for Sunset (Atlantic Coast, Nova Scotia)
Digital infrared original |
Digital original, five image exposure blend |
September 02, 2019
A Final Island Day (Prince Edward Island)
Digital original |
September 01, 2019
A Butterfly House (New Glasgow, Prince Edward Island)
Digital original, three frame focus stack |
Digital original, two frame focus stack |
Digital original, two frame focus stack |
Digital original |
August 31, 2019
Island Wandering (Prince Edward Island)
Digital original |
Digital original |
Digital original |
August 30, 2019
The North Shore (North Rustico, Prince Edward Island)
Digital original |
Digital original |
Digital original |
August 28, 2019
Hailey at Sunset (Bay of Fundy, Nova Scotia)
Digital infrared original |
As seems to be the weather this summer, the day was both sunny and hot, but unlike the previous Fundy session with Ingrid, I spent much of this session working with the direct evening light, taking advantage of the angular light closer to sunset. One of the first set of real successes was of Hailey standing on a rock ledge, set against a shadowy cliff behind her. The light flooded across Hailey 's figure from the side,
As the session progressed, Hailey and I moved further down the beach then I'd ever explored previously, which game a lovely feeling on exploration to the session, for all that we were working in a space I'd previously photographed in. The greatest find of this venture was a broad sweep of rock covered with fine green seaweed. Our first images here were made in infrared, focusing on a small rock at the edge, with a fan of lines in the sand flowing out from it. After some experimentation, I suggested Hailey try arching right across the rock, with her hands flowing into the lines - and the above image was born.
Both Hailey and I felt that the shock of the delicate green seaweed was too usual too unusual to pass by, so we spent some time working with it, both on the sun-lit side, and over the ridge in the shade. Both sets of images worked, but I decided the above composition, which presented a more delicate scene overall was the best counterpoint to the previous image, which drew heavily upon the contrast of the evening light.
By the time we finished working with the seaweed covered bedrock, the sun was approaching the horizon, so Hailey and I began to move towards the shore, to make our final images of the session. On our way, we stopped on a small line or rocks that rose out of the sea of sand, to make some images of Hailey against he distant horizon - the evening was quite breezy, so we had some fun with Hailey holding her hair up and letting it fly free!
After making the last image, Hailey quickly dressed as I packed up the camera and tripod, and we rushed through the darkening dusk to the car, as the tide continued to lap at our heels. All in all, a great way to spend a lovely evening!
August 20, 2019
Hailey & Ingrid Continue Exploring the Coast (Atlantic Coast, Nova Scotia)
In many ways, this summer is less a series of photo sessions (which is more typical for me), and more one single extended session, working with both Hailey and Ingrid. This is in part because of both model's love of working with water, and the simple fact that 90%+ of the images I have made this summer have been of the two of them (with Carol being the third model along for a couple of sessions).
Digital original, 2 image blend |
Digital infrared original |
In 2005 (14 years ago) I made some similar portraits when working on the Miranda Portfolio; ever since I have had a real love of infrared portraits made in high grasses - and along one section of the shore line, a perfect patch of high beach grasses grows above the shoreline. I pauses to make portraits of both Ingrid (above) there...if I had thought of it, I would have made some portraits of both models together (echoing the portrait of Ingrid and Miranda I made in 2007)...but I was so caught up in the beauty of the light, I totally blanked on that possibility.
The last images of the day (above) was something of a surprise. After finishing in the grasses, the three of us simultaneously realized that sunset was imminent - so we rushed down to the shore, and sought out a last location to work in, focusing on the sunset light falling across the two models. After a few minutes, we found a good spot, and as the sun crossed the horizon, both models worked their way into the rocks, facing the sunset. I made a couple of colour compositions, and then, on a whim, shifted to working in infrared - and the light was just lovely. Where the earlier direct sunlight was giving stark highlights and deep shadows, the sunset sky provided soft, yet directional that flowed across the women in just the right way. While I do agree the colours of sunset can be lovely, in this case, I'll take the lumious tones of infrared!August 15, 2019
Ingrid Returns to the Ocean Floor (Bay of Fundy, Nova Scotia)
Digital infrared original |
Digital original |
Digital infrared original |
Digital infrared original |
Digital original, 4 image exposure blend, 2 image stitch |
August 07, 2019
A Flower (Halifax, Nova Scotia)
Digital original |
August 06, 2019
Hailey and Ingrid on a Calm Evening (Atlantic Coast, Nova Scotia)
The weekly trend of going to the coast with Hailey &/or Ingrid continues - both model's love and comfort with working in the ocean has propelled my work with water forward in ways I could never have anticipated a couple of months ago.
Digital infrared original |
That being said, the first image set of this evening was of Hailey posing with a worn and battered tree right on the path to the coast - the evening light was perfect for the space, and with no hikers visible in either distance, and Ingrid on watch, Hailey and I made a handful of compositions with the space, before continuing the walk to the headland.
Digital infrared original |
When we finally arrived at the headland, quite a surprise awaited us. Unlike every other coastal session this year (and perhaps ever, to my memory), the ocean was calm...instead of waves arriving every couple of sessions, the ocean just...rose and fell. It was quite literally calm. Initially, I was disappointing, as the whole reason for these ocean-side session was to work with the ocean's movement and power...and it was, essentially, subdued. Then I caught sight of a large rock covered in kelp - it was gently appearing and disappearing every 20 second or so...quite magical. The only issue was that there was nowhere near the rock for me to potion my camera...except where I was then - hundreds of feet away, and probably 40 above sea level. Fortunately, I had brought my 300mm lens, and it was just about the perfect focal length to work with.
Digital infrared original |
The only real issue was that I invested so much time in the space that with 30 minutes of light left, I had really only made one set of compositions.
Digital infrared original |
July 30, 2019
Hailey & Ingrid at the Coast (South Shore, Nova Scotia)
Digital infrared original |
The first image of the session was one I'd wanted to make for more than a year - on the rocky shoreline I'd found a lovely circular depression, perfect for a single figure to pose in. Normally too exposed to work in, the foggy evening provided just the cover Hailey needed to help me make the above image!
Digital original |
Digital original |
Digital original |