One of Katarina's first questions when she arrived was "When can we do snow nudes?". My initial response was that it would be too cold but she kept insisting she wanted to model in the snow.On the final day of their visit, several hours before she and Lymari drove back to New England, we headed out for what probably will be remembered as the shortest photo session I have ever had.
If we'd had more time, I would not have chosen to work on the morning we did; the temperature was a chilly -17 C° and, while there wasn't any wind, the air temperature was bitter enough on its own. In a small attempt to mitigate the cold, Katarina bundled up in a heavy one-piece snow-suit before leaving the house, the logic being she should be toasty warm until the actual time to model arrived, in which case it was just one piece of clothing that needed to be shed and kept track of. Because of the depth of the snow (0.5-1 m), she could keep her socks and boots on through the session, which was a small blessing - I suspect the cold snow on her feet would have ended the session before it even began (not that you could have told Katarina that - she was so insistent on working in the snow before she went back to the US).
I carefully selected a space which Katarina could work into without her footprints showing in the image - I sought a smooth, unbroken sea of snow for the setting. Also, because the morning had direct sun, I chose an area with some brush, to both break up the image a little and provide some shadows to lend form to Katarina's body. When I was in place, and Katarina was ready, she quickly stripped off the snowsuit and walked a meter or so through the snow to where I wanted her to pose.
Despite all our precautions, in the end, Katarina lasted a little more than five minutes before it became too cold to continue. I made just over a dozen exposures, mostly variations on framing the same pose before Katarina grew too cold to vary the pose much and the session came to a halt.It took several minutes to get her back into her snowsuit and back to the car where she started warming up (though I suspect the warming process took longer than a few minutes).
I hesitate to say that snow nudes hold potential, as that would imply I think they are an area I plan to pursue but I do think that the results from the short session with Katarina will please her and make an eyecatching addition to my body of work as a whole.
Digital original |
If we'd had more time, I would not have chosen to work on the morning we did; the temperature was a chilly -17 C° and, while there wasn't any wind, the air temperature was bitter enough on its own. In a small attempt to mitigate the cold, Katarina bundled up in a heavy one-piece snow-suit before leaving the house, the logic being she should be toasty warm until the actual time to model arrived, in which case it was just one piece of clothing that needed to be shed and kept track of. Because of the depth of the snow (0.5-1 m), she could keep her socks and boots on through the session, which was a small blessing - I suspect the cold snow on her feet would have ended the session before it even began (not that you could have told Katarina that - she was so insistent on working in the snow before she went back to the US).
I carefully selected a space which Katarina could work into without her footprints showing in the image - I sought a smooth, unbroken sea of snow for the setting. Also, because the morning had direct sun, I chose an area with some brush, to both break up the image a little and provide some shadows to lend form to Katarina's body. When I was in place, and Katarina was ready, she quickly stripped off the snowsuit and walked a meter or so through the snow to where I wanted her to pose.
Digital original |
I hesitate to say that snow nudes hold potential, as that would imply I think they are an area I plan to pursue but I do think that the results from the short session with Katarina will please her and make an eyecatching addition to my body of work as a whole.