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Digital infrared original, 6 frame stitch |
This was Ingrid's second time working with me at Pennant River (the first being almost a year ago to the day),
but unlike the previous session, we were cursed with the worst possible
light - bright harsh sunlight, without a cloud in the sky. Normally,
given a day like this, I would have opted to work in a different space
altogether (one with shade), but Ingrid is such a water baby that I knew
there wasn't an option.
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Digital infrared original |
Working in direct sunlight has two serious issues when it comes
to working with water nudes. The first is not specific to working with
water and that is the harshness of the shadows; given that the session
was two days before
summer solstice, the light was about as top-down as it can be. This
imposes some limitations on how Ingrid can pose, and where I can
photograph from, but with some effort, is possible to overcome. The
second, however, is uniquely specific to working with water, and can be
more challenging to overcome. With direct sunlight falling upon the
river and model, it can be hard to get a slow enough shutter speed to
show the kind of motion in the water that I usually seek to show. By using my darkest neutral density filters,
I was able to make exposures in the 1/6th of a second range with most
of my lenses, which did show some motion, but usually this would be the
shortest exposure I would make with moving water, not the longest!
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Digital infrared original |
Unlike our expedition to Pennant River in 2005, this session
was relatively short. Due to the sunny day, the water seemed
proportionally cooler, and Ingrid needed several breaks to warm up,
which slowed down the session; then, some people came along to swim for
the afternoon, effectively putting an end to the work for the day.
Ingrid and I did manage to make some very strong images, but the
difficult lighting and shorter (proportionally) session did little to
help with that. The reality, however, is that given that Ingrid and I
have worked together now for close to nine years, the pressure to make
loads of
brilliant
images has been replaced by the quest to build upon what we have already
created in previous sessions.
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