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Digital original, 4 frame original |
When I teach, I often talk about being open to the
possibilities that present themselves to you, as opposed to trying to
create an image by specifically seeking it.
This
on the surface flies in the face of my usual modus operendi - arranging
to work with a model for an afternoon or evening, taking them to a
space, and photographing them there, but in reality , all I am doing is
setting up a possibility to be open to. When I photograph the Nude, I
almost never have plans, expectations, or specific images in mind,
instead simply relying upon the process of being open to possibilities
to generate the images I made.
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Digital original |
During this particular workshops, following my own advice was actually easier than normal. The
day dawned wet and overcast, so when we arrived in downtown Moncton,
all the flowers were covered with water drops, making them just perfect
for a series of macro photos. The irony here is that the workshop was
almost cancelled on account of the weather, and the rain ended up being
the strongest contributing element to the images of the day.
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Digital original |
The real interesting images of the day came when I left the
flowers behind and we headed towards the more industrial side of
Moncton; my eye was immediately caught by a yellow no-parking sign
painted on a black receiving door. Initially I make an image of this
with a long lens (105mm), flattening the perspective and essentially
documenting the space, but it was only when I moved much closer, and
worked with an ultra-wide lens (10mm) that the final composition came to
form, with exaggerated perspective, and dramatic lines. Without being
open to the possibilities the space presented, I would have made the
first image and then walked onwards.
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