After
finishing up at Writing-on-Stone, Annie, Victoria and I set out for Red
Rock Coulee, which lay over an hour to the northeast. I'd seen some
snapshots of the place at Annie's, and was very curious about the
bizarre spaces shown in the photo album. When we left Writing-on-Stone,
it was mid-evening, but again, given the driving distances inherent in
working in Alberta, we didn't pull up into the deserted parking lot at
the coulee until about 20 minutes after sundown.
4"x5" film |
I
had seen some photos of Red Rock Coulee at Annie's house, but nothing
had prepared me for the wasteland that presented itself when we walked
up to the top of the ridge. The arid desolation of the space, combined
with the bizarre geological formations which were strewn around added up
to a unique landscapes. The soft windswept bedrock hill, made of
Bearspaw shale, has large (1.5m to 4m) round red sandstone boulders in
various stages of emergence. As the sun had already set by the time we
arrived, Victoria and I hurried through the rolling field, quickly
noting which formations caught our eyes.
4"x5" film |
The
fact that the sun had already set before our arrival presented some
distinct challenges, forcing both Victoria and me to work fast to catch
the last light. With little time to experiment with poses, we worked on
the fly, making an image or two at each boulder, and then moving on to
the next.
4"x5" film |
When
we started the exposures were a quarter of a second at f/16, which is
more than manageable, but by the time I made the last image of Victoria
under the darkening sky, the exposure had lengthened to a second at f/11
- in the half-hour we worked, the light had decreased by a factor of
eight! Because of the overcast sky, there was no problem with the
over-all contrast over the time we worked, as the fading line of the
sunset on the horizon was the only direct light source, but by the time
we were packed up and back in the car, it was pretty much dark.\
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