4"x5" film |
The
first thing I did on this morning was go outside and take look at the
landscape (I'd arrived well after dark the night before, and could only
hear the rushing sound of the Belly River somewhere nearby). The entire
horizon, to the South and West for about 120 degrees, was mountains;
between Annie's house and the prairie that ran up to the foot of the
mountains lay a steep sided river valley (a coulee), with a winding,
rushing river in the centre. I set up my camera and made a series of
photos which make up a panoramic image of the mountains.
4"x5" film |
After
making the images of the mountains, I went inside and joined the others
for breakfast, and a discussion of the day's plans. Over dinner the
previous night there had been some mention about problems with the
pre-arranged models but it was during breakfast that I learned the full
extent of the difficulties that were presenting themselves. Some of the
models who'd planned to attend had been forced to cancel, while others
were still unsure they'd be available, or were otherwise incommunicado.
Annie's frustration with the circumstances was shared by all of us, but
no immediate solution presented itself. As it was still a day before the
official beginning of the retreat week, we all crossed fingers that one
or two of the models who previously attended the retreat would come
through for us.
4"x5" film |
The
remainder of the day was spent exploring the coulee, photographing the
alien (to me) landscape of cottonwoods and glacial riverbed. Again and
again, I would stumble across a setting that called out for a nude, and
in combination with my distant glimpse of the Rockies, I was becoming
very enthusiastic about settling into working with the Nude in this new
environment. By the end of the day, however, no definite models had been
found (one woman who might consider modelling was coming out to visit
the next day), and it was becoming evident that the original plan, to
have a retreat with six to ten models, was rapidly being altered.
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