Lis first contacted me in February about modeling. Given her location
in Toronto, Ontario 1,200 km to the west of Moncton, I didn't expect
to actually have a chance to work with her as I wasn't expecting to be
in Toronto in the
foreseeable
future..
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Digital infrared original, 3 frame stitch |
Early in June, however, I
received
an e-mail asking if some dates later on in the month would work for me,
and less than two weeks later I was waiting at the Moncton airport,
looking for someone I'd never met (or even seen a photo of) before. Less than an hour later, Lis and I had the living room of my house set up and were working on our first set of images.
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Digital infrared original |
As Lis was only visiting for an afternoon and evening, we decided to work in two sessions, the first with
available light. The day had bright skies and few clouds, giving us
relatively
bright illumination from the sheet-covered windows.
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Digital infrared original, 9 frame stitch |
A session with a new model is always full of unknown
possibilities. When working with someone I've photographed before, often
I can anticipate how the images will look, or what the outcome will be
like, as I can draw upon the work we've previously created. With
someone whom I've never worked with before (or in this case, never even
met previously), there is always an open end to the possibilities. That
is the real magic of working with new models.
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Digital infrared original |
As with almost every first session, I began with
portraits
of Liz, simply asking her to flop on the white sheets and make herself
comfortable. The portraits remained the focus for most of the session,
with only the occasional foray into working with full body poses, either
lying on her side, or from the back on; generally working indoors
precludes
full body poses, simply because there often isn't enough room for the
composition. After a couple of hours of working, we both felt we'd made
the most of the time and light, and packed up the
available
light studio to prepare for a studio water session.
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