![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTsVvOgNaaPGtujWUGxUI3_8fkAk_pxdcp-Yiu8eRzDUVHnk2wEny36L_SpWPdtJZiuEZ1ban4JQZ0smZ0HjJVZ7Lc5-kV2FD-HORY9nI-ejfQoM11pUbkdzva-F8Z2WDaFS5HmKjYCs8/s1600/DI-18-03113.jpg) |
Digital infrared original |
My work with skulls and the Nude dates back to images made with
Victoria in Alberta in 1999. I love combing the two elements into singular compositions, especially in a studio, where the lighting can be tailored to the subject, and the focus can be placed upon the simple forms of the body and bone.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXcir_0X2K3hvfmpdwQvm__uYxaiuKJCfHRQmdeopqLJv5_yjR5D3SsPvNPqv6e7c0IJuDezStROQo_FwRcqsuAYwaDp5OpzdMpDhFb8eZIs0Up-UTkP_rPmTTlGoFLXH6mqvZ72EAmWA/s1600/DI-18-03146.jpg) |
Digital infrared original |
This session was inspired by the collection of bones at Hailey's house; while I have worked with caribou, horse, sheep and goat skulls before, this was my first chance to work with wolf (the first image) and Musk-ox skull, complete with horns. After some experimentation, I settled on the skull mirroring Hailey's back and legs as the best way to blend the two forms in one composition.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvF0HrMAm18Jt-ToPwdDS0bQQBOeGwGqGidvlMKUFURPmqwEQHeYbTxQyGVL31Qv6a-3G0XYJIZ9HAX5LJF6Y9XXxYeN9DtcSX_c3biF4owWKjp5WHFBogSUHVv7LollYyMx95Rr4_k2Y/s16000/DI-18-03124.jpg) |
Digital infrared original
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