Hailey This session was planned for over a week; typically, when I head out to photograph I don't have any preconceived images in mind, but after the previous session with Hailey, I had the image we made of Hailey rising out of the ocean and seaweed (the last image in the blog) stuck in my head...I though it would be great to work with a couple of models in the same setting, with the forms mirroring each other, and focused tighter on the interplay between the water, seaweed and skin.
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Digital Original |
Almost from the start of the session though, this planned set of images
seemed destined not to be made. After walking to the coast, the space
I'd hoped to work in turned out to be directly below some hikers, so
after some debate, we decided to head to a different spot to the right,
where the people wouldn't be able to see us. After arriving in the new
location, I quickly realized there wasn't any spaces where my idea of
sea, seaweed and bodies would work. Fortunately, there was a great flat
area of seaweed right by the ocean and a small water-pool...so for lack
of a better space to work in, I suggested we start making images there,
and find the space for the images in my mind's eye later in the session.
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Digital Original |
After finishing the images on the seaweed point (which was rapidly disappearing under the rising tide), the three of us moved inland, again searching for a space to pursue the images I'd planned the session around. The issue was the light, and landscape were just wrong for what I was hoping to do. Instead, I decided to take inspiration from the images we'd just finished, and work with the waves breaking over the models. An early success of this is above (make after Ingrid wrapped herself in kelp.
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Digital Original |
As the tide was rising, it shouldn't have come as a surprise that every second wave seemed to come in higher than the previous - but for one image of Hailey, the sea literally enveloped her (fortunately she was sitting, as opposed to lying down, as Ingrid had minutes before in the same place). The chaotic energy of the wave around Hailey's is really pleasing, and a strong contrast to my usual approach to photographing moving water (as displayed in a session last year with
Hailey in a river). Between this session, and the couple before it, I am coming to realize I may have been photographing the ocean in a completely inappropriate way...and will begin consciously exploring how to take things in a different direction in future sessions.
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Digital Infrared Original |
As the evening progressed, we eventually stopped working in the ocean, and made a final set of images working the the dramatic, angular light and some shallow rock pools a little inland. And I never got to make the images I'd thought the entire session would be revolving around. In the end, I am more certain than ever that planning and specific photographs (for me) do not go hand-in-hand. I certainly plan sessions out (the model(s), location, time etc), but for this session I ignored a simple truth - my work is driven by happenstance and the magic of the moment...not by planning.
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