![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAuQQKPg0xfc1kr7A0H1k5xljewafstEiwa2GGIO5pP7WF_AsIP5O2O77VFyO9XT7cimHUxnJDoxyphGxAWTdy6ObKij8_O_EKDaWk8D9WHTQ-QQY7Sb5wllU6sZKn_66aqOZHz4gPge4/s1600/DI-11-00817.jpg) |
Digital infrared original |
The last work with Tanis for the day was made on the coast of the Bay of Fundy; we'd timed it so we would have the late afternoon light at low tide, so for much of the last hour of photography, we were well under the high-water line, but high and dry! At the edge of the tide line, some massive trees had collected, providing Tanis with a perfect setting to pose in.
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Digital infrared original |
Further out towards the ocean, lines of wharf pilings emerged from the ocean floor, long ago sheered off and battered by tides and time. With the afternoon light at a low angle, a careful pose at the end of line of wood caught the light at exactly the right angle.
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Digital infrared original |
Along the edge of the bay, a high cliff rose, worn away by eons of tides; a gap in the sandstone provided the perfect point of perspective on Tanis, framed by the stone. There can be a certain timeless quality to Nude portraits, and this one is no exception.
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Digital infrared original |
The last composition of the session, and the end of a long day of photography, was made on one of the sandstone rocks pulled out of the cliff-side by the 10 metre tides. I really enjoyed how stark and delicate Tanis appears upon the bed of rock, rubble and beach rock spreading out beyond her.
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