![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheNnF5DfZ0CVgdDByniI2-HTXBARiqkFZ518zZ7YsOasmQSFz0SfS-k75gBZyX_-zBbXUdZSCcETm0fgcJP4PlvEwaSP1jrN2-l2Fvp5hhBLmi-Ko3EAFq4akTMLRwtRwEZYtj7l6BesU/s1600/DI-07-11787.jpg) |
Digital original |
As much as the spiral stair-case was the focus of this composition, I
was equally enthralled by the colour of the light - day light from above
and two light-sources inside the room. Such riches were never part of
my work before the shift to working with digital cameras, which began in
2003.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1e_Lya2yhdU2TvzdR5oiVdbyFNl0fJBnvlcDgYMtzpw5CigIN16gQ1fHEUaPn3kkOITFo7djZAYlgxxxYQ9u8917wsj2R9kdAhQH-libA9IfZm2FbezdQw-ixbiIpQDecOQVQMY4omxk/s1600/DI-07-11766.jpg) |
Digital original |
This is one of only a handful of infrared flower photos I have made that I think actually benefit from the IR camera; in most cases flowers just go all white, but with these, the centers stayed dark, keeping some contrast in the final image.
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