35mm infrared film |
Sarah
and I have known each other since the mid 1980s, having gone to the
same high school together. Though she only began modeling for me shortly
before she left Halifax, Sarah helped me create a number of strong
photos. As soon as I received word that Sarah would be in town on New
Year's Day, I hoped we'd have the opportunity to make some images
together again. After a wonderful reunion lunch and some time catching
up on the last five years of each others lives, we set out on a snowy
afternoon to spend a couple of hours in the studio.
35mm infrared film |
Previously
when Sarah and I had worked together, it had been either outdoors or
by available light. Since the fall of 1998, I have had the opportunity
to use a fully equipped commercial lighting studio, so Sarah and I
worked in this space, making her first studio images.
35mm infrared film |
The
most successful nudes of the session were both made on infra-red film,
taking advantage of the extreme distortion offered by wide angle lenses.
Take a cue from an image I made of Megan last January, I sought to
create bodyscapes which provoked the viewer into changing their
understanding of the body as a physical space.
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