I have not done any studio photography since 
December 1995. This was more because of lack of access than lack of interest.
Megan is a co-worked of a friend, and knew of my photography through him. She 
expressed interest in working with me, and after meeting and going over 
my work, we set a time to do some photos. Both of us would rather work 
on outdoor nudes, but given the weather outside (our first session took 
place only a week after the major ice storm that put most of Quebec and 
Maine in the dark), we decided that could wait until we could walk 
outdoors without risk of frostbite and went into the studio. 
  | 
| 35mm transparency film | 
This
 was the first time I'd used studio flash in over two years, but it came
 back swiftly, and very soon the consideration was what to image, not 
how to light it. Megan has done a fair bit of self-portraiture in the 
studio and was thus comfortable being in front of the camera; Even 
though this was our first session working together, it went surprisingly
 well. 
  | 
| 6x12 cm film | 
By far the nicest element of working with Megan was that she is 
comfortable with her face being in the images. Most of the models I have
 worked with in the past have been reticent about being identifiable in 
the images. There is something incredibly powerful about a confidant 
portrait of a person standing (or sitting for that matter) completely 
nude and looking directly at the viewer. These kinds of images are very 
different from my outdoor nudes, but no less compelling or beautiful. 
  | 
| 6x12 cm film | 
The session as a whole was very successful. I made some very strong images on infra-red film, and began a relationship with a new model. I hope that in the coming weeks and months, Megan and I can do more work, eventually working our way outdoors.  
 
 
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