Digital original |
Learning from the first session, we avoided the coast for this one, and instead worked on the glacial plain that line much of Nova Scotia's eastern coast, taking advantage of the wild landscape and massive glacial erratics (glacially deposited rock differing from the type of rock native to the area in which it rests). Our first set of images were made with the early evening sunlight providing some wonderful edging to the breast and belly, and picking up the warm highlights in the model's hair.
Digital original |
Though the session began with some lovely evening sunlight, the sky gradually clouded over through the session, and by the middle of the 75 minute session, this had changed to wonderfully soft evening light which was just a delight to work with. While much of the early portion of the session was spent on poses mirroring the shape of the rocks with the shape of the pregnant belly, one of my favourite rock images is above. I'd worked in this exact location 13 years earlier, and loved how the rock looked with the foliage around it - this time however, as opposed to working with infrared light, I kept the image in colour, enjoying the delicate contrast between all the warm tones in the foreground, and the blue sky above.
Digital infrared original |
The final set of images we made, bringing the session to a close, were the ones that really resonated with me. By this time, the sky had clouded over completely, and the evening light was incredibly soft and even. Where most of the session had been focused on standing (or prone) poses, for the last set of photos, I asked the model to lean back into a small rock which allowed me to frame her figure with a large dark-lichen covered rock behind her. Working with an extremely wide-angle lens help keep the figure prominent, while still showing the space around her. The sweeping drama of sky above, and the luminous infrared tones of the model's skin make this image an absolute celebration of the full, curving lines of the pregnant body!
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