![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKyMgMHutE3GCQxhDqBhmirUzBGV-NYzogTHqTcvGkHJrPey7OYM2ZmJtlDoL06mu7CO8aO50ORVJ9WZp6MdrGBj02VZxBhdUuPVtmLrCvsRHH-bVBgDawVnEeSF_-AbrJ__C6q3cKHkk/s1600/DI-07-03307.jpg) |
Digital Original |
In some ways I see my exploration and fascination with macro photograph to be parallel to my challenges of working in with digital cameras in colour - having worked for years in a black & white, making images that work in colour is not easy. Many of the approaches and assumptions I have used for years must be set aside when working in colour, and it is the same with macro photography.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXBfkqLPd_g00sviLpbSQg2Osjl6P1d8vUxvo4EZ8WNNl-9sVk0bscYOMAW9PoTjll0qrVCaBBMuAc0eLwMqpbXDj6CNwC1vwjVj0y3fJ7PRi8vTuqaHB6YjF4Oihyhz3USiHH_JV04QE/s1600/DI-07-03315_FB2.jpg) |
Digital Original, 2 frame focus stitch |
Having worked out that I almost always prefer shallow depth of field to deep, I have been really focusing on the question of where to focus, which brought up an interesting question: why should I be limited to using just one image to determine where to focus. So, with these last two images, I decided to experiment with blending together two images of the same scene, with different points of focus. I am really pleased with the results, and will have to see how far I can push this idea.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAlWxLZiYf-DGhws6FcYVyhZps4vsn04wG_Vg-vQTvGPSu3_jANcPOITL6K53BkCxdG5wW-_TLO0FeTrTf4Mo0NVaXd2NvxY8PqbA4rRzGcY3cYN5G1vCVivIx-zdaNE3UrvwYFYJFNew/s1600/DI-07-03325_FB2.jpg) |
Digital Original, 2 frame focus stitch |
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