|Digital infrared original|
In addition to focusing on the body against the concrete structure, we made a number of portraits below the bridge, taking advantage of the shade it provided. Portraits rely so much on the connection between the model and the photographer, and this one is no exception, but in this case, there is also a certain magic coming from the subtle motion which makes the results really pleasing.
|Digital infrared original, 36 frame stitch|
There are some settings where working with infrared has only a subtle influence on the results, but in this case, with the dark evergreen trees surrounding Christine, infrared took what would have been a dark and murky setting, and created something quite luminous, which works beautifully with Christine’s fair hair.