This session had an interesting challenge – how much can be accomplished with a single model, a small space, and a limited angle of view? Miranda had recently moved into a new apartment, and much of the space was piled high with boxes – about the only free area was a futon below a large
double window – a perfect space to work in. The set up was not dissimilar to the space I used to work with in my old home in Halifax, with one major change – here my ability to move around the room, or fame a composition from a different angle was severely hampered by all the moving boxes still filling the room.
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Digital infrared original, 2 frame exposure blend |
On one level these limitations hampered the session, but by the same
degree, they helped focus the work on what could be accomplished with
the possibilities at hand. With such a small, confined space, an extreme
wide angle was the natural lens to use, and combined with the soft,
directional lighting coming through the windows, I was able to make a
number of very pleasing compositions, initially keeping everything
square and level to the camera, with a very traditional feel, and
eventually exploring more dramatic off-level compositions with sweeping
perspectives and dramatic lines.
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Digital infrared original, 2 frame exposure blend |
The end of the session
focused on a series of portraits, some single frame images, like the one
displayed here with a slight tilt to the composition, and others made
as multi-frame stitches, increasing the final photograph's resolution to
enable larger prints to be made.
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Digital infrared original |
Start to finish, this session was well under an hour, but within that time, I felt strongly that I made the most of the resources at hand – Miranda's long involvement in my work help produce numerous strong poses, the lighting was everything I look for in an indoor session, and the limited space to work in, while initially frustrating, served to provoke me into pushing what compositions I could make into being as strong as possible.
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