This session marked my first photo session with a digital SLR camera. I had the camera, a six mega-pixel Canon D60, on loan from Canon Canada and approached the session in a dubious state of mind. By the end of the session, almost all my doubts had been removed and many new, intriguing questions and potentials arose.
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Digital original |
I worked with L_ for the session, preferring to test the camera
with an experienced model who'd be understanding of the experimental
nature of the session; generally speaking, I keep any tests or
experimentation with unfamiliar equipment out of first sessions with
models - if something goes wrong, I'd prefer it to be with someone whom
I' already have their confidence.
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Digital original |
Rather then try to cater the
session to what I expected would be good for the digital camera, I just
set up my usual indoor space with the white sheeting that I'd fallen
in love with using to soften the light and simply worked
normally; about my only concession to the new equipment was setting the
camera to bracket each image (making three exposures as opposed to one,
with the second and third being subtle variations on the first) - I did
this because I was unsure about the tonal range of the camera, and knew
I would be working in a very contrasty setting.
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Digital original |
In the end, the camera was simply a tool; once we began working, it was the images that propelled the session, with the wonderful luminosity of the setting providing, as usual, a great space to work in. I concentrated mostly on portraits, using the small space to create a series of intimate images of L_ which nicely compliment the earlier black and white images that I'd created the first time we'd worked together. By the end of the session, I was not working with a digital camera, but simply with an image-making tool that, surprisingly, surpassed all my expectations.
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