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| Digital original | 
With the surprising successes of my first serious attempt at 
photographing flowers, Joy began searching 
Moncton for a source of orchids which could be pressed into modeling 
service. As it turned out, one of the local building and home renovation
 stores carried them and late one afternoon, Joy came proudly in the door, carrying the next model for me to photograph.
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| Digital original | 
It was surprisingly different photographing the second orchid -
 with the first, there was the naivety that came with working with a new
 subject;  anything was possible, and the successes, as they came, were 
both surprising and wonderful to behold. In contrast, with the second 
flower I knew I could make strong images, and the fluid, almost magical 
process of photographing the first flower was replaced with a  much 
longer session, trying to take the same approach as I'd first used (shallow
 depth of field, and very close compositions), while avoiding repeating 
the same compositions with the second orchid. In the end, I did make a 
number of very pleasing images, but the spark of the first session 
seemed to be missing. This could be because of the stronger colours of 
the second flower (I think part of what I responded to with the first 
flower was the delicate white of the petals), or simply because I was 
trying to hard with the second flower, but for whatever reason, I think 
the second session went astray of what initially had caught my eye.
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| Digital original | 
Having worked with a single subject for so long (I've worked 
with the nude for more than eighteen years now), I think I'd forgotten 
how difficult and challenging it can be to find a subject that engages 
the eye, but challenges the lens. With flowers, I can see the potential 
they hold, but it would seem harder than I'd expected to reveal that 
potential. I hope over the rest of the winter, and into the spring, to 
be able to spend more time working with these fascinating and elusive 
forms, and begin to take the spark that caught my eye and translate it 
into the visual image. 
 
 
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