Veronica and I first worked together in August of 2004, but as she lives in Montreal, Quebec, we had to wait until we both happened to be back in Halifax at the same time to work together again. Fortunately, in mid December she let me know about her New Year's plans and we set up a time to make more photographs.
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Digital original |
Unlike our first session, which was in a small house with available
light, this session took place in a large studio with plenty of natural
light, as well as a full selection of studio lighting. I began the
session working with the natural light coming through the three large
windows - by the time Veronica arrived, the sun had shifted in the sky
and there was now direct light on the concrete wall where I had worked
with Gilda and Miles only an hour or so earlier.
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Digital original |
Almost all of
the natural light images were portraits, both as a point to being the
session (I almost always start a session with portraiture), and because
Veronica has such a striking face and sense of poise. We worked along
the window-wall of the studio until she was in the direct sunlight on
the brick wall, where we finished working with the natural light.
The
major difference between available light and studio flash is control -
with available light you are forced to work with what the world presents
(which I actually prefer as responding to light is often easier and
more magical then creating it), while with studio lighting all the
control is in the hands of the photographer. When I set up the studio
for the images of Veronica, I used the same approach as I had with Gilda
and Miles earlier in the day - three lights or occasionally two. This
kept the lighting focusing on the model's form, and when we shifted from
the natural light to flash, the style of images shifted accordingly,
focusing as much on stylized bodyscapes as nude portraits.
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Digital infrared original |
The remainder of the session went by rapidly, working mostly with the digital SLR cameras, and occasionally making an image with the 8"x10" view camera. Veronica turned out to be quite comfortable with the relatively sterile atmosphere of the lighting studio (having had her first session in a house, with all the clutter that accompanies that space, an empty studio could have seemed quite daunting). About the only frustration after the session was completed was knowing that the chances of working with Veronica outdoors, where I can just imagine the possibilities, is slim to none, knowing how far from the Maritimes she lives.
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