Digital original |
On
this day, both Ingrid and Miranda had time free to work with me, so we
decided to take advantage of the hot day and spend the session working
in Long Lake. The advantage of Long Lake is two-fold; first it is very
close to Halifax, easy to get to and from, and therefore a good use of
the time available; secondly, as a shallow lake, it is easy to work with
models close to the shoreline, while still getting a sense of a broad
body of water stretching out behind them.
Digital original |
I
find it very interesting that, while Ingrid and I had worked together
extensively from 1998 - 1999, it was only in 2003, after her return to
Nova Scotia from the West Coast, that I began to make portraits of her
that really looked like her. I wonder if this is because over the
intervening years she grew more into her skin, or if I grew into mine.
Regardless, I am increasingly pleased with the portraits I have been
making of her, and this image is no exception.
Digital original, 7image stitch
|
While
I have often worked with multiple models outdoors, it isn't very often
that I use the models in contact poses; this focuses the attention on
the two models alone, as opposed to presenting them as figures in the
landscape. In this case, however, it worked well; as landscape, the
wind-blown water of Long Lake, was simply a minimalist plane upon which
to work with the Nude. This approach worked well with the digital camera
- the elongated poses created by working so low to the water were
perfect for working up as stitches, and most of the images of the later
half of the session were produced in this way.
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