Digital original, 16 image stitch
The session went quite well, working with the diffused light from the large windows and doorways. I've always loved the soft directional quality of window light, and in Spion Copp, it surrounds the models, providing rich light from almost every direction. Most of the session was spent with Christina standing near windows, and my exploring the light's revelation of her pregnant body.
I had hoped to work with Christina in a landscape setting, but the weather was still a little cool and damp, so we decided to head to Spion Copp, and work in the abandoned military buildings there. Because the session was short, I opted to take the EOS 10D digital camera and the Fuji 6x9 rangefinder to work with; I knew I'd miss the 8"x10" camera, but it wasn't practical given Christina's tight schedule.