The coastbetween West Dover and Peggy's Cove, just south of Halifax, is one of my favourite landscapes. Miles of glacier scraped land is scattered with boulders, flowing down to the Atlantic Ocean. The wild restraint of this landscape has always drawn me, and though I have worked with the figure in this setting before, it is far from drained of all its possibilities, and is a place I wish to return to again and again.
Sasha and I didn't make too many images, but the two that were the most
successful were certainly worth the afternoon's work. I made some
colour images as well, of Sasha against a distant outcropping of rock -
the images are decent, but the figure in them is so small; I think I
went too far - a small nude overwhelmed by nature is wonderful thing, a
bare blip of a figure in a landscape is a little silly. I have yet to
make enlargements from the colour material, so I may be pleasantly
surprised, but as it stands now, I think I will refrain from making
images of nudes so far away.
The image of Sasha on a large round boulder is another piece which I think marks a change in my work - the obvious parallel that I am making I think I would have chosen to ignore previously, writing it off as too simplistic. For whatever reason, taking risks seems to be the name of the game this summer.
After finishing on the West Dover Barrens, Sasha, Wendy and I drove to Peggy' Cove, home of the most over-photographed lighthouse in Canada. I have always loved the rocks there though, and while Sasha and Wendy sat eating ice cream and waiting for the sun to set, I explored and came across more images for Joy. The light was magnificent, with the sun low in the sky, perfect for reflections in pools of water, and lighting flat sheets of granite.
|6x12 cm film|