November 02, 2003


Since the summer of 2000, my work has almost exclusively been focused upon the Nude; this isn't for lack of interest in working with other subjects but more a result of the combination of available models and limited photographic time. With more time, or fewer models, I would be able to expand on my other photography but if the choice is between working with a model, or photographing something else, I will almost always opt for the model (the only exception would be choosing to work with architectural subjects while traveling, as I did in 2000).
Digital original
With my move to Moncton, I have shifted from a place where I had established, long-running friendships with enthusiastic and keen models to a new city where I have few contacts and even fewer resources to draw upon for finding new models. The expectation is that over time, as I become more familiar with Moncton and the surrounding areas, I will find both models and settings to work in, but for the time being I will take advantage of the situation to work with other subjects.
Digital original
One of the first projects inspired by the relocation to Moncton is a digital creation for our new house. On the main floor, there is a triangular cut-though to the stairs (you can see this in the image of us moving the enlarger), which just cries out for a triangular image on the wall behind. I haven't a specific composition in mind yet but I know it will combine the body with architecture, so I am on the hunt for images to use in this creation (I am thinking of something similar in style to Temple of My Desire, though it will not have doors).
Digital original
While Moncton does not have forts, it does have a fair amount of industrial space; with these spaces comes abandoned machinery, rusted metal, and rich visual possibilities. Though the year is getting colder, I took advantage of a bright day to head up to an old rock-quarry and photograph some abandoned machinery. Rather then document the machinery itself, I was more interested in creating images of elements of the metal; images that could later be incorporated into the digital composition for the house.

As much of what I was looking to record was colour and texture, choosing to work with the digital camera was a natural. I expect these images, and others like them, to form the background to the final composition, so the lower resolution of the digital camera is less of an issue.

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