As small as my living room is to work with, it was practically palatial
compared to the space for my next session. Miranda had wanted to work
with candles and I decided that it would be cool to revisit the
water-candle nudes that I'd made in October, 2001 with R_. At the time,
I'd certainly felt the work was successful, but also knew it was
something that I could build upon, and so have had it in the back of my
mind as a setting with yet as unexplored possibilities.
6x7 cm film
my attraction to working with candle light is its simplicity. A single
light source is about as minimal as photography can get, and the fact
that it can often be included in the image (as a referent to the light
source itself, and as a way of giving the image some degree of contrast)
adds to the possibilities. All this, when combined with the natural
reflective qualities of water, leads to a great number of possibilities.
Leaving aside the water upon the model's skin, the double light-source
that the water creates with the reflection gives some pretty cool
effects (plus there's the inherent opposition of fire to water, which is
very cool to work with).
6x7 cm film
While Miranda and I only worked for a little more then an hour, we made a number of very successful images, most of which used the reflection of the candle's flame in the water as an element. Probably my greatest frustration during the session was not being able to get the candle close enough to the surface of the water, or the camera at a low enough angle to photograph from. If I ever have my own studio space, one of my first projects will be to construct a water space in which I can work with models, but have total control over the depth of the water, and height of the sides of the tub.