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Digital original |
After the session with Constance, I was enthusiastically looking forward
to a new season of working outdoors. Even before the weather had turned
warm enough to work outdoors, I'd made plans with a visiting
photographer, Jean-Francois from Montreal, to show him part of the
province on the last Sunday in April. He'd asked if it might be possible
for a model to accompany us, and after discussing the possibilities
with Miranda, the plans were finalized. There was only one wild-card
factor remaining, however - the weather; Sunday dawned with steady rain
and intermittent fog, a typical Nova Scotian Spring day. We decided to
keep to the plans however, hoping it would prove warm enough to do at
least some indoor images.
About the only sheltered space I could
think of to work in was at Spion Copp, a small out-fort that once
overlooked Halifax Harbour. By the time we reached the space, the rain
had slacked off to a light drizzle, but it was still to wet to work
outdoors. I wasn't even sure if it was warm enough to work, but Miranda
was willing to try and we began. Though we had only the light coming
through the windows, I kept my working ISO to 100 (the lowest setting on
the EOS 10D) to ensure the best image quality. This necessitated using a
tripod, but as this is my preferred way of working, it wasn't an issue.
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Digital original |
Though the light was low, it had a wonderful directional quality
because of the broad, high windows and we spent the whole session
working with that. Miranda's hair has grown pretty long over the winter,
and it was great to have this additional element to add to the images,
either trailing over her torso or tumbling down behind her shoulders.
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Digital original |
Because of the chill in the air, this was a perfect session to work with the new digital SLR. I could work fast enough for Miranda not to get too chilled during the poses, yet get the image quality and performance I have always sought.
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