The afternoon of the second day of
darkroom building was a little ominous - the dark sky seemed to threaten rain, so once the four walls were up and connected, I covered up the building, and headed off to make some photos.
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| 35mm transparency |
After a little bit of a debate, we settled on Pennant Peninsula, where I
had worked before on July 1. Like many of the sessions this summer, the
session was relatively short, with the light failing before I had
finished exploring all the possibilities presented to me.
Though
I began working on the rock point where I had photographed two months
before, it was when we moved off the rocks and onto the beach that the
best images of the afternoon were made.
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| 35mm transparency |
With the sun moving
lower in the sky, and the cloud cover clearing, the quality of the
light was swiftly becoming more and more golden, as the sunlight raked
through the clouds. The model was already in a tidal pool, and I
realized that the setting sun could be framed perfectly by her torso.
Working swiftly, I made three images, two with the view camera, and one
with a 35mm camera.
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| 35mm transparency |
The beauty of the evening light reflecting
off the water, surrounding the swelling chest and stomach, totally drew
me in when I saw it through the camera's lens. I made two black and
white images working with the reflected light that are every bit as
strong as the colour ones. Where the light looks golden warm in the
colour images, in the black and white images, it transforms the water to
mercury, giving the stomach a sculptural quality.
Just as the water nudes of
1996 began my exploration of this facet of my work with the Nude, these few images have set a spark to a new direction. Where I began by exploring moving water/blur nudes, I now plan to explore reflections and transparency - a whole new aspect of water nudes previously untapped.
