While it is some distance from Halifax, of all the spaces Nova Scotia has to photograph, the Bay of Fundy is one of the most spectacular (at low tide, at least). I first photographed Ingrid here in 2004, so it seemed a suitable space to take her to mark 22 years of working together - and Esme came along as well, making it another multi-model session on the bottom of the ocean.
|Digital infrared original|
Though I've worked at the Bay of Fundy before, this was my first time working in this location, and the first images was a direct response tot he beauty of the space. We were at the head of a small marsh, with a river the flowed out (at low tide) to the bay...with the heavily overcast sky, the river was like a ribbon of light cutting through the foreground..and I knew I had to make an image of it. As there wasn't much to work with, in regards to posing, I asked both women to simply stand with the backs to me, and look out to the Fundy.
As beautiful as the view towards the bay was, the real reason to work at the Bay of Fundy was the lovely water-carved rocks, which provide rich environment in which to work with the Nude. Both Esme and Ingrid really took to the space, and found a number of really striking poses, working against the red sandstone. The evening was surprisingly windy, so I made a larger than usual number of exposures, and was wise to do so, as about 1/3 of the exposures were ruined due to tripod/camera vibrations.
The other reason I like worked at the Bay of Fundy is more specific to my love of working infrared; on the red sandstone rocks of the Fundy coast there often grows a lovely soft, bright green seaweed - and in infrared, it ends up rendering much like pale hair - as seen in the above image of Esme and Ingrid. While I am sure this seaweed grows elsewhere in Nova Scotia, it is easy to find, and work into subsequent compositions on the Fundy rocks.
As the evening progressed, the cool air (exacerbated by the high wind) started wearing on the models,so we decided to pack things up and head to the car...but on the way, Esme caught sight of a beautiful slab of stone, set against a deep pocked in the rock behind. "Could I work on that?" she asked, and a minute or so later, the above image was made. I ended up stitching the composition together from two frames, as I liked both the smooth rock below her, which merges into the beach, and the horizontal bands in the rocks above; if either was absent, I didn't like the image as much - so I merged both framed together!